ANTHONY SUNTER

Archival pen on 425gsm Saunders Waterford paper
A2 Landscape — 59.4 × 42 cm / 23.4 × 16.5 inches
Original artwork — one of one

This piece was created at the close of a deeply memorable journey to Bermuda—a place that left a lasting impression on me.

During my time there, I joined staff from the Hamilton Princess in collecting plastic along the shoreline—an experience that grounded the island’s beauty with a quiet awareness of its fragility.

Walking the coast, I caught a fleeting moment out of the corner of my eye: the sky seemed to echo the rhythm of the sea. The soft, undulating forms of the waves were mirrored above, as if the horizon had dissolved and both elements were speaking the same visual language. That moment stayed with me.

This work explores that convergence—where ocean and sky blur into one continuous flow. The layered lines build movement and atmosphere, suggesting both the gentle pull of the tide and the shifting light of a final sunrise or sunset. It reflects on endings, but also on the kind of experiences that don’t really end—those that settle into you and stay.

Bermuda, with its colour, energy, and quiet beauty, is a place I’ll carry with me. This piece holds onto that feeling—of being present in a moment where everything felt briefly, perfectly connected.

🌊 Shipped on my return to the UK
🖼️ This piece is unframed — images show an example of how it could look framed
📸 Some images are photographed at an angle to highlight surface detail

Postage & Packaging 📦
UK: £6 🇬🇧
Europe: £8 🇪🇺
Rest of World: £12 🌍

Archival pen on 425gsm Saunders Waterford paper
A2 Portrait — 42 × 59.4 cm / 16.5 × 23.4 inches
Original artwork — one of one
£800

This work reflects a moment of quiet clarity—being away from home and finding a deep sense of contentment within yourself. Inspired by time spent in Bermuda, it explores the idea of a mental “factory reset,” where distance brings perspective and the noise of everyday life begins to soften. It speaks to those rare moments where you stop looking ahead or behind and simply settle into where you are, feeling at ease without needing anything more.

Through flowing lines and layered colour, the piece captures a steady, rhythmic movement—like breath returning to a natural pace. The shifting bands of colour move in harmony rather than contrast, echoing a sense of balance and acceptance. There is no urgency here, only presence. It reflects the experience of slowing down, enjoying time with family, and recognising a quiet fullness in life—where, for a moment, everything feels complete in itself.

🌊 Shipped on my return to the UK

🖼️ This piece is unframed — the photo shows an example of how it could look framed
📸 Please note: some images are photographed at an angle to show surface detail

Postage & Packaging 📦

UK: £6 🇬🇧

Europe: £8 🇪🇺

Rest of World: £12 🌍

Archival pen on 300 gsm Saunders Waterford paper
A2 Portrait — 42 × 59.4 cm / 16.5 × 23.4 inches
Original artwork — one of one
£800

Inspired by swimming off Cooper Island and encountering a school of parrot fish moving through the coral, this piece feels like a direct translation of movement into colour—almost as if the water itself has been flattened and held still for a moment.

Flowing, undulating lines evoke the rhythm of swimming—those gentle shifts in direction as the body moves with the current rather than against it. There is no rigid structure; everything bends, curves, and adapts, much like being submerged. The density of the lines creates a visual current, pulling the eye across the surface in waves.

The palette is where the memory of the encounter comes alive. Electric yellows, pinks, blues, and greens feel unmistakably marine—not through literal depiction, but through sensation. It suggests the iridescence of parrot fish, the sudden flashes of colour as a school turns in unison, and the way light refracts and fractures underwater.

A tension emerges between control and spontaneity. Each line is precise and deliberate, yet together they form something organic and unpredictable—like tracking dozens of fish moving as one entity. In places, colour intensifies and compresses, echoing moments where the school tightens; elsewhere, softer passages open out like drifting water or filtered light.

There is no single focal point. Instead, the work is immersive, echoing the experience of being surrounded by movement—inside it rather than observing from a distance.

Existing somewhere between memory and sensation, the piece is less about documenting what was seen and more about what was felt: buoyant, enveloped, slightly disoriented, and completely absorbed within a living current of colour.

🌊 Shipped on my return to the UK

🖼️ This piece is unframed — the photo shows an example of how it could look framed
📸 Please note: some images are photographed at an angle to show surface detail

Postage & Packaging 📦

UK: £6 🇬🇧

Europe: £8 🇪🇺

Rest of World: £12 🌍